{"id":11344,"date":"2018-01-10T12:33:37","date_gmt":"2018-01-10T11:33:37","guid":{"rendered":"https:\/\/ismaelmartin.com\/5-festivals-that-value-world-premieres-for-early-submissions\/"},"modified":"2018-01-10T12:33:37","modified_gmt":"2018-01-10T11:33:37","slug":"5-festivals-that-value-world-premieres-for-early-submissions","status":"publish","type":"post","link":"https:\/\/ismaelmartin.com\/en\/5-festivals-that-value-world-premieres-for-early-submissions\/","title":{"rendered":"5 festivals that &#8220;value&#8221; world premieres for early submissions"},"content":{"rendered":"<p>The <strong>selective world premiere strategy<\/strong> is one of the most complex in festival distribution, as it requires medium and long-term calendar planning. <strong>Festivals with premiere requirements<\/strong> often receive many submissions, and it&#8217;s increasingly difficult to secure a selection. <\/p>\n<p>Until now, I had discussed festivals with <strong>strict premiere requirements<\/strong>, but there are other variables we can consider, <strong>such as the &#8220;value&#8221; placed on world and international premieres<\/strong>.<\/p>\n<p>Normally, world premieres are not reserved for festivals that only allow national premieres. However, with the level of production we&#8217;ve seen in recent years, <strong>these subtle nuances and variables can help you stand out from other submissions<\/strong>.<\/p>\n<p>The value placed on a world premiere versus an international premiere may or may not be described in the regulations.<\/p>\n<p>There are cases like the <a href=\"https:\/\/www.berlinale.de\/en\/HomePage.html\" target=\"_blank\" rel=\"noopener noreferrer\">Berlin Film Festival<\/a>, where an analysis of its selection reveals the importance of world premieres. Just yesterday, <strong>the final selection for Berlinale Shorts<\/strong>, the official short film section, was published. In total, there were 24 short films, of which 18 were world premieres, compared to 6 international premieres. In the <a href=\"https:\/\/ismaelmartin.com\/2014\/09\/08\/los-cortometrajes-internacionales-en-la-berlinale\/\">analysis I conducted last year<\/a>, there were 17 world premieres versus 7 international premieres.  <\/p>\n<p>There are other festivals where the <strong>regulations clearly state the importance of reserving the world premiere<\/strong>. In this post, I have compiled 5 examples that reflect different ways of valuing world premieres and have open calls during January and February.<\/p>\n<h2><strong>#1 World Premiere Valued Exclusively<\/strong><\/h2>\n<p>There are some very important festivals within the short film distribution circuit that have a national premiere requirement and only value world premieres:<\/p>\n<h3><strong><a href=\"http:\/\/www.krakowfilmfestival.pl\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Krakow Film Festival<\/a><br \/>\n<\/strong><\/h3>\n<p>This is an Oscar-qualifying festival, and although it also accepts documentary features, it <strong>specializes primarily in short films<\/strong>. The minimum requirement is a Polish premiere, with a preference for a world premiere (neither international nor European). <\/p>\n<p>The last <strong>submission deadline for short films is January 31<\/strong>, with a submission fee of \u20ac10, via their own <a href=\"http:\/\/dot.krakowfilmfestival.pl\/editors.entry\/en\" target=\"_blank\" rel=\"noopener noreferrer\">online form<\/a>.<\/p>\n<p>It takes place from May 27 to June 3.<\/p>\n<h3><a href=\"http:\/\/festival.curtas.pt\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Curtas Vila do Conde<\/strong><\/a><\/h3>\n<p>The call for entries opened a few weeks ago and closes on April 13. This year, submissions are made through Filmfreeway and Shortfilmdepot.<\/p>\n<p>Vila do Conde has a minimum requirement of a Portuguese premiere and a preference only for world premieres. It is also part of the Oscar-qualifying list. <\/p>\n<p>The first deadline, <strong>the <em>early deadline<\/em>, ends on January 12<\/strong>, with a reduced price of \u20ac10.<\/p>\n<p>It takes place from July 14 to 22.<\/p>\n<h2><strong>#2 World, International, and European Premiere Valued<\/strong><\/h2>\n<p>Many festivals value world and international premieres; these two festivals are good examples:<\/p>\n<h3><a href=\"https:\/\/www.edfilmfest.org.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Edinburgh International Film Festival<\/strong><\/a><\/h3>\n<p>This is one of the most important festivals in the United Kingdom, for both feature films and short films. Although it has a national premiere requirement for international short films, it <strong>especially values world premieres<\/strong>, and failing that, international or European premieres. <\/p>\n<p>The <em>early deadline<\/em> was December 14. <strong>The <em>regular deadline<\/em> is now open with a fee of \u00a330 for short films, until January 18<\/strong>. Submissions are made through the Withoutabox platform. <\/p>\n<p>It takes place from June 20 to July 1.<\/p>\n<h3><a href=\"https:\/\/www.viennashorts.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Vienna Shorts Festival<\/strong><\/a><\/h3>\n<p>It is the most important short film festival in Austria and an Oscar-qualifying event. The competition accepts fiction, documentary, and animation, and has competitions for music videos and virtual reality, which has become widespread in many festivals in recent years. <\/p>\n<p>In this case, it does not have a strict premiere requirement (not even national), but international premieres, and national premieres in Austria, are especially valued.<\/p>\n<p>The submission fee is \u20ac15 for documentary and fiction, and \u20ac10 for animation. <strong>The submission deadline is January 31<\/strong>. Submissions can be made through Filmfreeway, Festhome, and FilmFestivallife platforms. <\/p>\n<p>It takes place from May 29 to June 4.<\/p>\n<h2><strong>#3 Exceptions in Regulations Only for World Premieres<\/strong><\/h2>\n<p>There are other very special cases where exceptions are established in the regulations themselves, but only for world premieres, as is the case with Oberhausen.<\/p>\n<h3><a href=\"https:\/\/www.kurzfilmtage.de\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>International Short Film Festival Oberhausen<\/strong><\/a><\/h3>\n<p>This is one of the most important short film festivals in the world, with no less than 64 editions. The premiere requirement is national in Germany for short films produced in 2017 with a maximum duration of 35 minutes. <\/p>\n<p>The selection committee reserves the right to select short films of longer duration or from 2016, <strong>only in cases of world premieres<\/strong>.<\/p>\n<p><strong>The submission deadline is February 1<\/strong>, and submissions can only be made for free through their online form.<\/p>\n<p>It takes place from May 3 to 8.<\/p>\n<h2><strong>Important Dates<\/strong><\/h2>\n<p>If you have a short film and <strong>are planning its world and international premiere<\/strong>, here are the festivals ordered by <em>deadline<\/em>. All these festivals have deadlines during this month of January and early February.<\/p>\n<ul>\n<li><strong>Vila do Conde<\/strong> &#8211; January 12<\/li>\n<li><strong>Edinburgh<\/strong> &#8211; January 18<\/li>\n<li><strong>Krakow<\/strong> &#8211; January 31<\/li>\n<li><strong>Vienna<\/strong> &#8211; January 31<\/li>\n<li><strong>Oberhausen<\/strong> &#8211; February 1<\/li>\n<\/ul>\n<p>Don&#8217;t forget to review their programming lines to see if your film fits well with each of these festivals.<\/p>\n<p><strong>Good luck at the start of this year; it&#8217;s a good time to begin planning the year and exploring different options.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The selective world premiere strategy is one of the most complex in festival distribution, as it requires medium and long-term calendar planning. Festivals with premiere requirements often receive many submissions, and it&#8217;s increasingly difficult to secure a selection. Until now, I had discussed festivals with strict premiere requirements, but there are other &#8230; <a title=\"5 festivals that &#8220;value&#8221; world premieres for early submissions\" class=\"read-more\" href=\"https:\/\/ismaelmartin.com\/en\/5-festivals-that-value-world-premieres-for-early-submissions\/\" aria-label=\"Read more about 5 festivals that &#8220;value&#8221; world premieres for early submissions\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":11347,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[250,259],"tags":[320,338],"class_list":["post-11344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-strategy","category-short-film-distribution","tag-january-deadline","tag-premiere-festivals"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>5 festivals that &quot;value&quot; world premieres for early submissions - Ismael Martin<\/title>\n<meta name=\"description\" content=\"Festivals with premiere requirements often receive many submissions, and it&#039;s increasingly difficult to secure a selection. 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