{"id":11437,"date":"2014-09-08T10:23:56","date_gmt":"2014-09-08T08:23:56","guid":{"rendered":"https:\/\/ismaelmartin.com\/international-short-films-at-the-berlinale\/"},"modified":"2014-09-08T10:23:56","modified_gmt":"2014-09-08T08:23:56","slug":"international-short-films-at-the-berlinale","status":"publish","type":"post","link":"https:\/\/ismaelmartin.com\/en\/international-short-films-at-the-berlinale\/","title":{"rendered":"International Short Films at the Berlinale"},"content":{"rendered":"<p>A few days ago we learned about the call for entries for international short films at the <a href=\"https:\/\/www.berlinale.de\/en\/HomePage.html\">Berlin Festival<\/a>, one of the most important in the world, which pays special attention to short films. The next edition will take place from February 5 to 15, 2015.<\/p>\n<p>This is a Class A festival, according to the <a href=\"www.fiapf.com\">FIAPF<\/a> classification, and therefore requires an international premiere. It is important to clearly distinguish between <strong>world premiere<\/strong> and <strong>international premiere<\/strong>. In the first case, the short film cannot have premiered in its country of origin, and therefore the screening in Berlin would be the first of its entire career. In the second case, it is accepted that it has premiered in the country of origin. However, and this is important, although Berlin accepts international premieres, <em>world premieres are valued<\/em>, something we must keep very much in mind, since we will certainly have fewer chances if we do not preserve the world premiere. <\/p>\n<p>Let us look at last year&#8217;s selection, with 25 short films, one of them out of competition and a European premiere, <em>Unogumbe<\/em> by Mark Dornford-May: 6 of the 24 shorts were <strong>international premieres<\/strong> compared to 18 that had <strong>world premieres<\/strong>. The statistics speak for themselves. These were the shorts in <strong>Berlinale Shorts<\/strong> in 2014: <\/p>\n<ol>\n<li><em>Afronauts<\/em>, Frances Bodomo, USA, 13&#8242; (IP)<\/li>\n<li><em>Birds<\/em>, Ulu Braun, Germany, 15&#8242; (WP)<\/li>\n<li><em>La Casona (The Big House)<\/em>, Juliette Touin, Cuba, 25&#8242; (IP)<\/li>\n<li><em>Darkroom<\/em>, Billy Roisz, Austria, 13&#8242; (WP)<\/li>\n<li><em>Do serca Twego (To Thy Heart)<\/em>, Ewa Borysewicz, Poland, 10&#8242; (IP)<\/li>\n<li>Im Tekhayekh, Ha&#8217;Olam Yekhayekh Elekha (Smile, and the World Will Smile Back), Familie al-Haddad\/Ehab Tarabieh\/Yoav Gross, Israel \/ Palestinian Territories, 21&#8242; (WP)<\/li>\n<li><em>Kamakura (Snow Hut)<\/em>, Yoriko Mizushiri, Japan, 5&#8242; (WP)<\/li>\n<li><em>Laborat<\/em>, Guillaume Cailleau, Germany, 21&#8242; (WP)<\/li>\n<li><em>Marc Jacobs<\/em>, Sam de Jong, Netherlands, 17&#8242; (WP)<\/li>\n<li><em>Om Amira<\/em>, Naji Ismail, Egypt \/ Germany, 25&#8242; (IP)<\/li>\n<li><em>Optical Sound<\/em>, Elke Groen\/Christian Neubacher, Austria, 11&#8242; (WP)<\/li>\n<li><em>Person to Person<\/em>, Dustin Guy Defa, USA, 18&#8242; (IP)<\/li>\n<li><em>Raconte-moi des salades (Salad Days)<\/em>, Olias Barco, Belgium \/ France, 10&#8242; (WP)<\/li>\n<li><em>As Rosas Brancas (The White Roses)<\/em>, Diogo Costa Amarante, Portugal \/ USA, 20&#8242; (WP)<\/li>\n<li><em>Sky Lines, Nadine Poulain<\/em>, Serbia, 10&#8242; (IP)<\/li>\n<li><em>Solo te puedo mostrar el color<\/em> (I Can Only Show You the Color), Fernando V\u00edlchez Rodr\u00edguez, Peru, 26&#8242; (WP)<\/li>\n<li><em>Symphony no. 42<\/em>, R\u00e9ka Bucsi, Hungary, 10&#8242; (WP)<\/li>\n<li><em>Tant qu&#8217;il nous reste des fusils \u00e0 pompe (As Long As Shotguns Remain)<\/em>, Caroline Poggi\/Jonathan Vinel, France, 30&#8242; (WP)<\/li>\n<li><em>Taprobana<\/em>, Gabriel Abrantes, Portugal \/ Sri Lanka \/ Denmark, 24&#8242; (WP)<\/li>\n<li><em>Three Stones for Jean Genet<\/em>, Frieder Schlaich, Germany, 7&#8242; (WP)<\/li>\n<li><em>Unogumbe (Noye&#8217;s Fludde)<\/em>, Mark Dornford-May, South Africa, 35&#8242; (EP)<\/li>\n<li><em>Un Para\u00edso (A Paradise)<\/em>, Jayisha Patel, Cuba, 14&#8242; (WP)<\/li>\n<li><em>Washingtonia<\/em>, Konstantina Kotzamani, Greece, 24&#8242; (WP)<\/li>\n<li><em>Wonder<\/em>, Mirai Mizue, France \/ Japan, 8&#8242; (WP)<\/li>\n<li><em>Xenos<\/em>, Mahdi Fleifel, Denmark \/ United Kingdom, 13&#8242; (WP)<\/li>\n<\/ol>\n<p>(WP = World premiere, IP = International premiere)<\/p>\n<p><img decoding=\"async\" title=\"selected short film directors\" src=\"http:\/\/berlinaleshorts.files.wordpress.com\/2014\/02\/20140210_hv_4.jpg?w=300&#038;h=200\" alt=\"with title\"><br \/>\n<em>Selected Short Film Directors<\/em><\/p>\n<p>In addition to the prestigious <strong>Berlinale Shorts<\/strong>, in Berlin short films have another option to participate, somewhat less well known. This is the <strong>Generation<\/strong> section. In this case there are two types of competitions, both dedicated to children and young audiences:<\/p>\n<ul>\n<li><strong>Kplus<\/strong> for children<\/li>\n<li><strong>14plus<\/strong> for young audiences<\/li>\n<\/ul>\n<p>Let us look at the main differences between <strong>Berlinale Shorts<\/strong> and <strong>Generation<\/strong>, the latter being more open regarding world premieres:<\/p>\n<ul>\n<li>Longer duration in <strong>Berlinale Shorts<\/strong>, 30 minutes, compared to 20 minutes for <strong>Generation<\/strong>.<\/li>\n<li>Preference for international and world premieres, but they accept shorts that are European premieres, an option to consider if we have already premiered internationally.<\/li>\n<\/ul>\n<p>The short films selected in <strong>Generation<\/strong> in the last edition were:<\/p>\n<p><strong>Short films &#8211; Generation 14plus<\/strong><\/p>\n<ol>\n<li><em>Cowboys Janken Ook (Even Cowboys Get to Cry)<\/em>, Netherlands, by Mees Peijnenburg &#8211; IP<\/li>\n<li><em>Emo (the musical)<\/em>, Australia, by Neil Triffett &#8211; WP<\/li>\n<li><em>Exchange &#038; Mart<\/em>, Great Britain, by Martin Clark and Cara Connolly &#8211; EP<\/li>\n<li><em>Luna Vieja (Old Moon)<\/em>, Puerto Rico, by Raisa Bonnet &#8211; EP<\/li>\n<li><em>Mike<\/em>, Great Britain, by Petros Silvestros \u2013 WP<\/li>\n<li><em>Proavlio (Schoolyard)<\/em>, Greece, by Rinio Dragasaki &#8211; IP<\/li>\n<li><em>Rhizome<\/em>, Japan, by Masahiro Ohsuka &#8211; EP<\/li>\n<li><em>Seagulls<\/em>, Great Britain, by Martin Smith &#8211; WP<\/li>\n<li><em>Snowblind<\/em>, Australia, by Sean Kruck, Berlinale Generation 14plus 2009: Summer Breaks &#8211; IP<\/li>\n<li><em>Soliton<\/em>, Japan, by Isamu Hirabayashi, Berlinale Generation 14plus 2013: Ninja &#038; Soldier \u2013WP<\/li>\n<li><em>S\u00f8n (Son)<\/em>, Denmark, by Kristoffer Ki\u00f8rboe &#8211; WP<\/li>\n<li><em>Tits<\/em>, Great Britain, by Alex Winckler, Berlinale Generation Kplus 2011: Thomas &#8211; IP<\/li>\n<li><em>iBhokhwe (The Goat)<\/em>, South Africa, by John Trengove, Berlinale Talent 2014 &#8211; WP<\/li>\n<li><em>Vetrarmorgun (Winter Morning)<\/em> Faroe Islands, by Sakaris St\u00f3r\u00e1, Berlinale Talent 2010) &#8211; IP<\/li>\n<\/ol>\n<p><strong>Short films &#8211; Generation Kplus<\/strong><\/p>\n<ol>\n<li><em>A\u011fr\u0131 ve Da\u011f (A\u011fri and the Mountain)<\/em>, Turkey, by Hasan Serin &#8211; EP<\/li>\n<li><em>el (away)<\/em>, Hungary, by Roland Ferge &#8211; WP<\/li>\n<li><em>Eleven<\/em>, New Zealand, by Abigail Greenwood &#8211; WP<\/li>\n<li><em>Eu n\u00e3o digo adeus, digo at\u00e9 logo (I Don&#8217;t Say Goodbye, I Say See You Soon)<\/em>, Brazil, by Giuliana Monteiro &#8211; WP<\/li>\n<li><em>Hijos de la tierra (Earth&#8217;s Children)<\/em>, Peru, by Diego Sarmiento, Berlinale Talent 2014 &#8211; WP<\/li>\n<li><em>Kalle Kran<\/em>, Sweden, by Johan Hagelb\u00e4ck, Berlinale Generation Kplus 2013: K\u00f6ttbullarna och mobb\u00e5ngrarna &#8211; WP<\/li>\n<li><em>Min v\u00e4n lage (My Friend Lage)<\/em>, Sweden \/ Denmark, by Eva Lindstr\u00f6m, Berlinale Kinderfilmfest 1995: Lutning &#8211; EP<\/li>\n<li><em>Moy lichniy los&#8217; (My Own Personal Moose)<\/em>, Russian Federation, by Leonid Shmelkov &#8211; WP<\/li>\n<li><em>Nain G\u00e9ant (Dwarf Giant)<\/em>, Switzerland \/ France, by Fabienne Giezendanner &#8211; WP<\/li>\n<li><em>Out of this World<\/em>, Sweden, by Viktor Nordenski\u00f6ld &#8211; WP<\/li>\n<li><em>Pigs<\/em>, USA \/ Singapore \/ Malaysia, by Laura Mohai &#8211; IP<\/li>\n<li><em>Rangzen (Freedom)<\/em>, India, by Gaurav Saxena &#8211; WP<\/li>\n<li><em>S\u0101rtulis (Little Ruddy)<\/em> Latvia, by Dace R\u012bd\u016bze, Berlinale Generation Kplus 2011: Z\u012a\u013bUKS &#8211; WP<\/li>\n<li><em>Sepatu Baru (On Stopping the Rain)<\/em>, Indonesia, by Aditya Ahmad &#8211; IP<\/li>\n<li><em>Sprout<\/em>, Republic of Korea, by Ga-eun Yoon \u2013 IP<\/li>\n<li><em>The Dam Keeper<\/em>, USA, by Robert Kondo and Dice Tsutsumi &#8211; WP<\/li>\n<li><em>V\u0101sa (Vasa)<\/em>, Latvia, by J\u0101nis Cimmermanis, Berlinale Generation Kplus 2012: Corrida \u2013 WP<\/li>\n<\/ol>\n<p>No fewer than <strong>31 short films<\/strong> in total, of which only 5 are <strong>European premieres<\/strong>, 8 <strong>international premieres<\/strong> and 18 <strong>world premieres<\/strong>. The percentage is once again very clear in favor of world premieres. <\/p>\n<p>The visibility that short films have at the <strong>Berlinale<\/strong> is excellent, with <strong>some 56 short films in competition<\/strong> in 2014, in three different categories (leaving aside the <strong>Perspektive Deutsches Kino<\/strong> section dedicated exclusively to German feature and short film productions).<\/p>\n<p>The entry fee for any of the categories is \u20ac60 and the entry deadline closes on November 21, allowing registration by uploading a video to the festival server. It is certainly worth carefully considering the possibilities of our short film in Berlin, evaluating participation in a broad sense (it is clear that <strong>Berlinale Shorts<\/strong> is not the only option) and preserving the <strong>world premiere<\/strong> as much as possible. Let us hope that this year we have some Spanish representation in some of the short film sections.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>A few days ago we learned about the call for entries for international short films at the Berlin Festival, one of the most important in the world, which pays special attention to short films. The next edition will take place from February 5 to 15, 2015. This is a Class A festival, &#8230; <a title=\"International Short Films at the Berlinale\" class=\"read-more\" href=\"https:\/\/ismaelmartin.com\/en\/international-short-films-at-the-berlinale\/\" aria-label=\"Read more about International Short Films at the Berlinale\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[259],"tags":[],"class_list":["post-11437","post","type-post","status-publish","format-standard","hentry","category-short-film-distribution"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Short Films at the Berlinale<\/title>\n<meta name=\"description\" content=\"analyzing the selection of short films at the Berlinale\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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