{"id":11490,"date":"2016-11-24T09:15:26","date_gmt":"2016-11-24T08:15:26","guid":{"rendered":"https:\/\/ismaelmartin.com\/spanish-short-films-on-the-road-to-the-oscars\/"},"modified":"2016-11-24T09:15:26","modified_gmt":"2016-11-24T08:15:26","slug":"spanish-short-films-on-the-road-to-the-oscars","status":"publish","type":"post","link":"https:\/\/ismaelmartin.com\/en\/spanish-short-films-on-the-road-to-the-oscars\/","title":{"rendered":"Spanish short films on the road to the Oscars"},"content":{"rendered":"

Late yesterday we learned the Oscars shortlist for Live Action Short Film<\/strong><\/a>, with two Spanish short films selected, Timecode, <\/strong><\/em>by Juanjo Gim\u00e9nez and Graffiti<\/strong> <\/em>by Lluis Quilez. <\/em>Few countries have managed to do this in the same year.<\/p>\n

This is great news for short films and Spanish cinema<\/strong>.<\/p>\n

To fully understand the importance of this news I have analysed the shortlists published over the last four years<\/strong>, since the last time we were selected with That Wasn\u2019t Me<\/a>.<\/strong><\/em><\/p>\n

These are the lists from 2013 to 2016<\/strong>, in which I have included the country, which does not appear in the original news item:<\/p>\n

2016 (Oscars 2017)<\/strong><\/h2>\n
    \n
  1. Bon Voyage<\/strong><\/em>, Marc Wilkins, director, and Jo\u00ebl Jent, producer (Dschoint Ventschr Filmproduction) – Germany<\/li>\n
  2. Ennemis Int\u00e9rieurs<\/strong><\/em>, S\u00e9lim Azzazi, director (Qualia Films) – France<\/li>\n
  3. Graffiti<\/strong><\/em>,<\/span><\/span> Lluis Quilez, director (Participant Media, Euphoria Productions and Ainur Films) – Spain<\/li>\n
  4. La Femme et le TGV<\/strong><\/em>, Timo von Gunten, director (arbel gmbh) – Germany<\/li>\n
  5. Nocturne in Black<\/strong><\/em>, Jimmy Keyrouz, director (Columbia University) – United States<\/li>\n
  6. The Rifle<\/strong><\/em>, the Jackal, the Wolf and the Boy,” Oualid Mouaness, director (Tricycle Logic) – Lebanon<\/li>\n
  7. Silent Nights<\/strong><\/em>, Aske Bang, director, and Kim Magnusson, producer (M & M Productions) – Denmark<\/li>\n
  8. Sing (Mindenki)<\/strong><\/em>, Kristof De\u00e1k, director (Meteor Filmstudio) – Hungary<\/li>\n
  9. Timecode<\/strong><\/em><\/span>, Juanjo Gim\u00e9nez, director (Nadir Films) – Spain<\/li>\n
  10. The Way of Tea<\/strong><\/em> (Les Fr\u00e9missements du Th\u00e9), Marc Fouchard, director, and Matthieu Devillers, producer (Existenz, BlackBox and P904) – France<\/li>\n<\/ol>\n

    2015 (Oscars 2016)<\/strong><\/h2>\n
      \n
    1. Ave Maria<\/strong><\/em>, Basil Khalil, director, and Eric Dupont, producer (Incognito Films) – France<\/li>\n
    2. Bad Hunter<\/strong><\/em>, Sahim Omar Kalifa, director, and Dries Phlypo, producer (A Private View) – Belgium<\/li>\n
    3. Bis Gleich (Till Then)<\/strong><\/em>, Benjamin Wolff, director Philippe Brenninkmeyer, producer, and Tara Lynn Orr, writer (avenueROAD Films) – Germany<\/li>\n
    4. Contrapelo (Against the Grain)<\/strong><\/em>, Gareth Dunnet-Alcocer, director, and Pin-Chun Liu, producer (Ochenta y Cinco Films) – Mexico<\/li>\n
    5. Day One<\/strong><\/em>, Henry Hughes, director (American Film Institute) – United States<\/li>\n
    6. Everything Will Be Okay (Alles Wird Gut)<\/strong><\/em>, Patrick Vollrath, director (Filmakademie Wien) – Austria<\/li>\n
    7. The Free Man (Zi You Ren)<\/strong><\/em>, Quah Boon-Lip, director (Taipei National University of the Arts) – China<\/li>\n
    8. Shok<\/strong><\/em>, Jamie Donoughue, director (Eagle Eye Films) – Kosovo\/United Kingdom<\/li>\n
    9. Stutterer<\/strong><\/em>, Benjamin Cleary, director (Bare Golly Films) – Ireland<\/li>\n
    10. Winter Light<\/strong><\/em>, Julian Higgins, director, and Josh Pence, producer (Innerlight Films and Prelude Pictures) – United States<\/li>\n<\/ol>\n

      2014 (Oscars 2015)<\/strong><\/h2>\n
        \n
      1. Aya<\/strong><\/em>, Oded Binnun and Mihal Brezis, directors (Cassis Films and Divine Productions) – Israel<\/li>\n
      2. Baghdad Messi<\/strong><\/em>, Sahim Omar Kalifa, director, and Kobe Van Steenberghe, producer (a team productions) – Belgium<\/li>\n
      3. Boogaloo and Graham<\/strong><\/em>, Michael Lennox, director, and Ronan Blaney, writer (Out of Orbit) – United Kingdom<\/li>\n
      4. Butter Lamp (La Lampe Au Beurre De Yak)<\/strong><\/em>, Hu Wei, director, and Julien F\u00e9ret, producer (AMA Productions) – France<\/li>\n
      5. Carry On<\/strong><\/em>, Yatao Li, director (Rochester Institute of Technology) – United States<\/li>\n
      6. My Father\u2019s Truck<\/strong><\/em>, Maur\u00edcio Osaki, director (Lupi Filmes) – Vietnam<\/li>\n
      7. Parvaneh<\/strong><\/em>, Talkhon Hamzavi, director, and Stefan Eichenberger, producer (Zurich University of Arts) – Switzerland<\/li>\n
      8. The Phone Call<\/strong><\/em>, Mat Kirkby, director, and James Lucas, writer (RSA Films) – United States<\/li>\n
      9. SLR<\/strong><\/em>, Stephen Fingleton, director, and Matthew James Wilkinson, producer (Stigma Films) – Ireland<\/li>\n
      10. Summer Vacation (Chofesh Gadol)<\/strong><\/em>, Tal Granit and Sharon Maymon, directors (GREENproductions) – Israel<\/li>\n<\/ol>\n

        2013 (Oscars 2014)<\/strong><\/h2>\n
          \n
        1. That Wasn\u2019t Me<\/strong><\/em><\/span>, Esteban Crespo, director (Producciones Africanauan) – Spain<\/li>\n
        2. Avant Que De Tout Perdre (Just before Losing Everything)<\/strong><\/em>, Xavier Legrand, director, and Alexandre Gavras, producer (KG Productions) – France<\/li>\n
        3. Dva (Two)<\/strong><\/em>, Mickey Nedimovic, director, and Henner Besuch, director of photography (Filoufilm Dani Barsch) – Croatia<\/li>\n
        4. Helium<\/strong><\/em>, Anders Walter, director, and Kim Magnusson, producer (M & M Productions) – Denmark<\/li>\n
        5. Kush<\/strong><\/em>, Shubhashish Bhutiani, director (Red Carpet Moving Pictures) – India<\/li>\n
        6. Pit\u00e4\u00e4k\u00f6 Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)<\/strong><\/em>, Selma Vilhunen, director, and Kirsikka Saari, screenwriter (Tuffi Films) – Finland<\/li>\n
        7. Record\/Play<\/strong><\/em>, Jesse Atlas, director, and Thom Fennessey, executive producer (Collaboration Factory) – United States<\/li>\n
        8. Throat Song<\/strong><\/em>, Miranda de Pencier, director (Northwood Productions) – United States<\/li>\n
        9. Tiger Boy<\/strong><\/em>, Gabriele Mainetti, director (Goon Films) – Italy<\/li>\n
        10. The Voorman Problem<\/strong><\/em>, Mark Gill, director, and Baldwin Li, producer (Honlodge Productions) – United Kingdom<\/li>\n<\/ol>\n

          Results by country<\/strong><\/h2>\n
            \n
          1. United States 7<\/li>\n
          2. France 5<\/li>\n
          3. Germany 3<\/li>\n
          4. Spain 3<\/span><\/li>\n
          5. United Kingdom 3<\/li>\n
          6. Denmark 2<\/li>\n
          7. Ireland 2<\/li>\n
          8. Belgium 2<\/li>\n
          9. Israel 2<\/li>\n
          10. Lebanon 1<\/li>\n
          11. Hungary 1<\/li>\n
          12. Mexico 1<\/li>\n
          13. Austria 1<\/li>\n
          14. China 1<\/li>\n
          15. Vietnam 1<\/li>\n
          16. Switzerland 1<\/li>\n
          17. Croatia 1<\/li>\n
          18. India 1<\/li>\n
          19. Finland 1<\/li>\n
          20. Italy 1<\/li>\n
          21. Kosovo 1<\/li>\n<\/ol>\n

            This is one of the big pieces of news: we have finally ended a drought that had already lasted three years; all of a sudden we are now among the countries with the most selections<\/strong>, alongside the United Kingdom and Germany. We are now only behind the United States and France. <\/p>\n

            Now is the time to support these two short films in the promotional campaign to reach the nominations. This process is expensive and complicated, but strong support from institutions is essential; otherwise, we will always be behind these countries, which do support their creators with substantial resources. <\/p>\n

            We must do everything possible and, for the first time, win an Oscar for a Spanish short film.<\/p>\n

            We must not let this opportunity slip away.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

            Late yesterday we learned the Oscars shortlist for Live Action Short Film, with two Spanish short films selected, Timecode, by Juanjo Gim\u00e9nez and Graffiti by Lluis Quilez. Few countries have managed to do this in the same year. This is great news for short films and Spanish cinema. To fully understand the … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":11491,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[283,259],"tags":[253],"class_list":["post-11490","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reports","category-short-film-distribution","tag-oscars"],"yoast_head":"\nSpanish short films on the road to the Oscars - Ismael Martin<\/title>\n<meta name=\"description\" content=\"A study of the last four years of short films selected for the Oscars, following the selection of two Spanish shorts on this year\u2019s shortlist.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ismaelmartin.com\/en\/spanish-short-films-on-the-road-to-the-oscars\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spanish short films on the road to the Oscars - 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