{"id":11624,"date":"2016-10-27T10:06:58","date_gmt":"2016-10-27T08:06:58","guid":{"rendered":"https:\/\/ismaelmartin.com\/questions-about-the-short-film-selection-for-the-goya-awards\/"},"modified":"2016-10-27T10:06:58","modified_gmt":"2016-10-27T08:06:58","slug":"questions-about-the-short-film-selection-for-the-goya-awards","status":"publish","type":"post","link":"https:\/\/ismaelmartin.com\/en\/questions-about-the-short-film-selection-for-the-goya-awards\/","title":{"rendered":"Questions About the Short Film Selection for the Goya Awards"},"content":{"rendered":"<p><strong>&#8212;&#8211;Update 11\/10\/2016&#8212;&#8211;<\/strong><\/p>\n<p>Today the list of selected short films has been published again with a necessary correction from the Film Academy. More short films have been added, completing the quotas for <strong>Animation<\/strong> and <strong>Fiction<\/strong>. <strong>Documentary<\/strong> ultimately remains at only 8 and does not complete the quota of 10 documentaries. <\/p>\n<p>The news appeared in <a href=\"http:\/\/cortosfera.es\/cortometrajes\/noticias\/ficha\/274\/#.WCTD1R8sb0o\" target=\"_blank\" rel=\"noopener noreferrer\">Cortosfera<\/a> magazine. On the Academy&#8217;s website, only the <a href=\"https:\/\/www.premiosgoya.com\/\/31-edicion\/articulos\/ver\/cortometrajes-en-busca-del-goya\" target=\"_blank\" rel=\"noopener noreferrer\">updated list of short films<\/a> has been published. <\/p>\n<p><strong>I have updated the lists I published with the new short films in red<\/strong><\/p>\n<p>&#8212;&#8211;<\/p>\n<p>Yesterday we learned of the <strong>short film selection<\/strong> for the <strong>Goya Awards<\/strong> and, as expected, with several surprises.<\/p>\n<p>Congratulations to all those selected; among them are several short films that I distribute, so I am very pleased about that.<\/p>\n<p>The selection is published on the <a href=\"https:\/\/www.premiosgoya.com\/31-edicion\/articulos\/ver\/cortometrajes-en-busca-del-goya\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film Academy<\/a> website and has also been published in <a href=\"http:\/\/cortosfera.es\/cortometrajes\/noticias\/ficha\/272\/#.WBE-XMKLQ_o\" target=\"_blank\" rel=\"noopener noreferrer\">Cortosfera<\/a> magazine.<\/p>\n<p>These are the selected short films:<\/p>\n<p><strong>Fiction<\/strong><\/p>\n<ol>\n<li><em><strong>Bla, Bla, Bla,<\/strong><\/em> directed and produced by \u00c1lexis Morante<\/li>\n<li><em><strong>Disco Inferno<\/strong><\/em>, directed by Alice Waddington and produced by Alice Waddington and Yadira \u00c1valos<\/li>\n<li><em><strong>El trastero<\/strong><\/em>, directed by Gaizka Urresti and produced by Gaizka Urresti and Oihana Olea<\/li>\n<li><em><strong>En la azotea<\/strong><\/em>, directed by Dami\u00e1 Serra and produced by Lita Roig and Sergi Casamitjana<\/li>\n<li><em><strong>Graffiti<\/strong><\/em>, directed by Llu\u00eds Qu\u00edlez Sala and produced by Esther Velasco, Cristian Guijarro and Llu\u00eds Qu\u00edlez Sala<\/li>\n<li><em><strong>Hermanos<\/strong><\/em>, directed by Javier Rold\u00e1n and produced by F\u00e9lix Tusell S\u00e1nchez<\/li>\n<li><em><strong>Hostal Ed\u00e9n<\/strong><\/em>, directed by Gonzaga Manso and produced by Luis Manso<\/li>\n<li><em><strong>Jingle<\/strong><\/em>, directed by Marta Aledo and produced by Jorge Moreno and Luis Collar<\/li>\n<li><em><strong>La invitaci\u00f3n<\/strong><\/em>, directed by Susana Casares and produced by Mar\u00eda Zamora Morcillo and Stefan Schmitz<\/li>\n<li><em><strong>No me quites<\/strong><\/em>, directed by Laura Jou and produced by J.A. Bayona and Oriol Maym\u00f3<\/li>\n<li><em><strong>Timecode<\/strong><\/em>, directed by Juanjo Gim\u00e9nez Pe\u00f1a and produced by Arturo M\u00e9ndiz, Daniel Villanueva and Juanjo Gim\u00e9nez Pe\u00f1a<\/li>\n<li><em><strong>Vainilla<\/strong><\/em>, directed by Juan Beiro and produced by Carlota Coronado and Giovanni Maccelli<\/li>\n<li><em><strong>Yo, presidenta<\/strong><\/em>, directed by Arancha Echevarr\u00eda Carcero and produced by Pilar S\u00e1nchez D\u00edaz<\/li>\n<li><em><strong>Zero<\/strong><\/em>, directed by David Victori and produced by David Victori, Eduardo Ver\u00e1stegui, Ignacio Lacosta, Juan Ignacio Pe\u00f1a, Michael Fassbender, Liza Marshall, Ridley Scott and Sebastian Mery<\/li>\n<li><span style=\"color: #ff0000;\"><strong><em>Vida en Marte<\/em><\/strong>, directed by Jos\u00e9 Manuel Carrasco and produced by Arturo Ruiz Serrano<\/span><\/li>\n<\/ol>\n<p><strong>Documentary<\/strong><\/p>\n<ol>\n<li><em><strong>Cabezas habladoras<\/strong><\/em>, directed and produced by Juan Vicente C\u00f3rdoba<\/li>\n<li><em><strong>Esperanza<\/strong><\/em>, directed and produced by \u00c1lvaro Longoria<\/li>\n<li><em><strong>Palabras de Caramelo<\/strong><\/em>, directed by Juan Antonio Moreno Amador and produced by Juan Antonio Moreno Amador and Silvia Venegas Venegas<\/li>\n<li><em><strong>The Resurrection Club<\/strong><\/em>, directed by \u00c1lvaro Corcuera and Guillermo Abril, and produced by Bernab\u00e9 Rico and Olmo Figueredo Gonz\u00e1lez-Quevedo<\/li>\n<li><span style=\"color: #ff0000;\"><strong><em>23 de mayo, <\/em><\/strong>directed and produced by David Mart\u00edn de los Santos<\/span><\/li>\n<li><span style=\"color: #ff0000;\"><strong><em>El baile de los infantes, <\/em><\/strong>directed by Javier Dampierre and Jokin Pascual and produced by Jokin Pascual<\/span><\/li>\n<li><span style=\"color: #ff0000;\"><strong><em>Sin Dios ni Santa Mar\u00eda, <\/em><\/strong>directed by Helena Gir\u00f3n and Samuel Mart\u00edn Delgado and produced by Samuel M.Delgado<\/span><\/li>\n<li><span style=\"color: #ff0000;\"><strong><em>Tout le monde alme le bord de la mer, <\/em><\/strong>directed by Keina Espi\u00f1eira and produced by Lourdes P\u00e9rez Izquierdo<\/span><\/li>\n<\/ol>\n<p><strong>Animation<\/strong><\/p>\n<ol>\n<li><em><strong>Amore d&#8217;inverno<\/strong><\/em>, directed by Isabel Herguera Garc\u00eda and produced by Alessandro Ingaria, Gianmarco Serra and Isabel Herguera Garc\u00eda<\/li>\n<li><em><strong>Darrel<\/strong><\/em>, directed by Alain Carabantes Person and Marc Briones Piulachs and produced by Daniel Mart\u00ednez Lara<\/li>\n<li><em><strong>Decorado<\/strong><\/em>, directed by Alberto V\u00e1zquez and produced by Arturo Olea, Chelo Loureiro, Iv\u00e1n Mi\u00f1ambres and Nicol\u00e1s Schmerkin<\/li>\n<li><em><strong>Down by Love<\/strong><\/em>, directed and produced by Jos\u00e9 Corral Llorente<\/li>\n<li><em><strong>I said I would never talk about politics<\/strong><\/em>, directed and produced by Aitor O\u00f1ederra<\/li>\n<li><em><strong>Just the Beginning<\/strong><\/em>, directed by Abraham L\u00f3pez Guerrero and produced by Manu Carbajo<\/li>\n<li><em><strong>Oa<\/strong><\/em>, directed by Jaime Maestro Sell\u00e9s and produced by Carlos Escutia Garc\u00eda<\/li>\n<li><em><strong>Portrait of a wind-up maker<\/strong><\/em>, directed and produced by Dar\u00edo P\u00e9rez Moreno<\/li>\n<li><span style=\"color: #ff0000;\"><strong><em>Made in Spain, <\/em><\/strong>directed by Coke Riob\u00f3o and produced by Coke Riob\u00f3o and Lourdes Villagomez Oviedo<\/span><\/li>\n<li><span style=\"color: #ff0000;\"><strong><em>Uka, <\/em><\/strong>directed by Valle Comba Canales and produced by David Castro Gonz\u00e1lez and Valle Comba Canales<\/span><\/li>\n<\/ol>\n<p>Analyzing the selection after the <a href=\"https:\/\/ismaelmartin.com\/en\/category\/goya-awards\/\">posts I have published on this subject<\/a>, <strong>several doubts and questions<\/strong> arise. Especially because the participation quotas stipulated in the rules in Article 9 have not been completed: <\/p>\n<p><em><strong>9. Participation quotas. Preselection. <\/strong><\/em><br \/>\n<em>From among the short films in competition that meet all of these Rules, <strong>the Commission chosen by the Board of Directors for this purpose shall select a maximum of 15 fiction short films, a maximum of 10 animation short films and a maximum of 10 documentary short films<\/strong>, with any of the categories potentially having a number of short films below the stated numbers, to proceed to the first voting phase.<\/em><\/p>\n<p><strong>In this post I list the questions that arise after seeing the selection and to which I have no answer:<br \/>\n<\/strong><\/p>\n<ul>\n<li>Why are there 14 selected in <a href=\"https:\/\/ismaelmartin.com\/2016\/06\/27\/estrategia-en-festivales-nacionales-para-los-premios-goyas-2018\/\"><strong>Fiction<\/strong><\/a> and not 15? Are there not short films of sufficient quality to complete the list and participate in the Goya Awards? <\/li>\n<\/ul>\n<ul>\n<li>Why are there 8 selected in <a href=\"https:\/\/ismaelmartin.com\/2016\/06\/30\/filtro-los-goya-24-cortos-animacion\/\"><strong>Animation<\/strong><\/a>? Are there not 2 more animation short films with sufficient quality? <\/li>\n<\/ul>\n<ul>\n<li>Why are there only 4 selected in <a href=\"https:\/\/ismaelmartin.com\/2016\/07\/25\/analisis-la-situacion-del-cortometraje-documental-espanol-los-premios-goya-2017\/\"><strong>Documentary<\/strong><\/a> and not 10? Why have two of the most important short films of this year been left out, such as <em><strong>23 de mayo<\/strong><\/em> and <em><strong>Sin Dios ni Santa Maria<\/strong><\/em>? If we are objective and adhere to the festivals, <em><strong>23 de mayo<\/strong><\/em> has achieved 5 selections in national festivals, one award and one international selection (Seattle) that qualifies for the Goya Awards, and <em><strong>Sin Dios ni Santa Maria<\/strong><\/em> 3 selections in festivals and two international ones (Ann Arbor and Vila do Conde). Both short films appeared in the <a href=\"https:\/\/ismaelmartin.com\/2016\/07\/25\/analisis-la-situacion-del-cortometraje-documental-espanol-los-premios-goya-2017\/\">post I published in June<\/a>.   <\/li>\n<\/ul>\n<ul>\n<li>So&#8230; what is the purpose of the festival filter?<\/li>\n<\/ul>\n<ul>\n<li>What are the Commission&#8217;s reasons for leaving out these two documentaries?<\/li>\n<\/ul>\n<ul>\n<li>Are the four selected documentaries already nominated?<\/li>\n<\/ul>\n<ul>\n<li>Who are the members of the Film Academy Commission?<\/li>\n<\/ul>\n<ul>\n<li>Why have the registration statistics not been published?<\/li>\n<\/ul>\n<ul>\n<li>Why are there no short film or documentary <a href=\"http:\/\/www.academiadecine.com\/la_academia\/junta_directiva.php?id_s=1&#038;id_ss=40\" target=\"_blank\" rel=\"noopener noreferrer\">representatives<\/a> in the Film Academy?<\/li>\n<\/ul>\n<p><strong>If you know any of these answers or have more questions, I would love to receive your comments.<br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8212;&#8211;Update 11\/10\/2016&#8212;&#8211; Today the list of selected short films has been published again with a necessary correction from the Film Academy. More short films have been added, completing the quotas for Animation and Fiction. Documentary ultimately remains at only 8 and does not complete the quota of 10 documentaries. The news appeared &#8230; <a title=\"Questions About the Short Film Selection for the Goya Awards\" class=\"read-more\" href=\"https:\/\/ismaelmartin.com\/en\/questions-about-the-short-film-selection-for-the-goya-awards\/\" aria-label=\"Read more about Questions About the Short Film Selection for the Goya Awards\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":11625,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[262],"tags":[],"class_list":["post-11624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-goya-awards"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Questions About the Short Film Selection for the Goya Awards - Ismael Martin<\/title>\n<meta name=\"description\" content=\"Doubts and questions upon learning of the short film selection for the Goya Awards. 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