{"id":11626,"date":"2016-07-25T14:04:52","date_gmt":"2016-07-25T12:04:52","guid":{"rendered":"https:\/\/ismaelmartin.com\/analysis-of-the-situation-of-spanish-documentary-short-films-for-the-2017-goya-awards\/"},"modified":"2016-07-25T14:04:52","modified_gmt":"2016-07-25T12:04:52","slug":"analysis-of-the-situation-of-spanish-documentary-short-films-for-the-2017-goya-awards","status":"publish","type":"post","link":"https:\/\/ismaelmartin.com\/en\/analysis-of-the-situation-of-spanish-documentary-short-films-for-the-2017-goya-awards\/","title":{"rendered":"Analysis of the Situation of Spanish Documentary Short Films for the 2017 Goya Awards"},"content":{"rendered":"<p style=\"text-align: justify;\">In recent weeks we have been analyzing <strong>the situation of Spanish short films<\/strong> with the <a href=\"https:\/\/ismaelmartin.com\/2016\/06\/17\/aciertos-errores-las-nuevas-bases-los-premios-goya-cortometraje\/\">new regulations of the Goya Awards<\/a>. I have published posts on the <a href=\"https:\/\/ismaelmartin.com\/2016\/06\/27\/estrategia-en-festivales-nacionales-para-los-premios-goyas-2018\/\">new strategies<\/a> to follow for <strong>fiction<\/strong> short films, and thanks to Carlota Coronado we have also analyzed <strong>animation<\/strong> short films in these two posts: <a href=\"https:\/\/ismaelmartin.com\/2016\/06\/30\/filtro-los-goya-24-cortos-animacion\/\">Filter at the Goya Awards for 24 animation short films?<\/a> and the <a href=\"https:\/\/ismaelmartin.com\/2016\/07\/11\/cifras-del-corto-animacion-espanol-2015\/\">figures for Spanish animation short films in 2015<\/a>.<\/p>\n<p style=\"text-align: justify;\">It remained to analyze the <strong>documentary short film<\/strong>, which together with <strong>animation<\/strong>, is the genre that suffers most from the new regulations, for two fundamental reasons:<\/p>\n<ol style=\"text-align: justify;\">\n<li>Until now there was no festival filter in the regulations of the <b>Goya Awards<\/b>, therefore it was not taken into account in the strategy of a documentary short film.<\/li>\n<li>This situation means that this year the calendar is very complicated. The short films with the most success at festivals were submitted last year and the newest ones probably have not had the rating license beforehand. <\/li>\n<\/ol>\n<p style=\"text-align: justify;\">To get an idea of the current situation of Spanish short films, <strong>I have analyzed the selections at the festivals on the list<\/strong>. I waited to learn the selection at <strong>Alcances<\/strong>, the last festival on the calendar that is on the list published by the Academy (it takes place in September and the deadline for the <strong>Goya Awards<\/strong> ends on September 30). <\/p>\n<p style=\"text-align: justify;\">Before beginning, <strong>let us review the regulations that a documentary short film<\/strong> must comply with to qualify for a Goya:<\/p>\n<ul style=\"text-align: justify;\">\n<li>Be selected in at least 3 festivals on the <a href=\"https:\/\/ismaelmartin.com\/wp-content\/uploads\/2016\/06\/31PremiosListadoFestivales-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">list<\/a>.<\/li>\n<li>Receive an award in the Official Section, or specific documentary section.<\/li>\n<li>Be selected in an international festival on the list.<\/li>\n<li>Have the nationality certificate and the rating license from ICAA before the celebration of these festivals.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">To carry out this analysis <strong>I have noted all the documentary short films that have participated in national festivals between 2015 and 2016<\/strong>. This is the result: <\/p>\n<p><strong>Alcances 2015 (September)<\/strong><br \/>\n612 palabras en alambre, by Cecilia Gonz\u00e1lez Rufo<br \/>\nAgosto sin ti, by the girls from Pasaik (Maider Fern\u00e1ndez and Mar\u00eda Elorza)<br \/>\nDiario del hambre, by Mireia Pujol<br \/>\nDom\u00ednguez, by Paco Guti\u00e9rrez Bueno and Luis Cazorla L\u00f3pez<br \/>\nEl buen amor, by Gabriel Azor\u00edn<br \/>\nEl juego del escondite, by David Mu\u00f1oz -Award-<br \/>\nEusebio, el americano, by Ruth Somalo<br \/>\nMateria prima, by Sergio Fern\u00e1ndez Borr\u00e1s<br \/>\nO descubrimento de Am\u00e9rico, by Miguel Mari\u00f1o<br \/>\nOut, by Joan Ant\u00fanez<br \/>\nPorta Europa, by Ilaria Gambarelli<br \/>\nReborn, by Carlos Farr\u00f3 Moy\u00e1<br \/>\nSer e voltar, by Xacio Ba\u00f1os<br \/>\nSet, by the collective Left Hand Rotation<br \/>\nShow me Now!, by Manuel Jim\u00e9nez N\u00fa\u00f1ez<br \/>\nSi el ayer no fuera hoy, by Ester Cl\u00faa<br \/>\nSin Dios ni Santa Mar\u00eda, by Samuel M. Delgado and Helena Gir\u00f3n<br \/>\nSinfon\u00eda de galernas, by Nadia Penella.<\/p>\n<p><strong>Alcances 2016 (September)<\/strong><br \/>\n23 de mayo, by David Mart\u00edn de los Santos<br \/>\nAnimalizaci\u00f3n, by Zoraida Rosell\u00f3 and Jaume Vidal Arasa<br \/>\nAsturies apuntes, by Manutrillo<br \/>\nCampanya, by Catarina Brites, Andr\u00e9s Alonso, Alejandro Cabrera, Lara Curto and Dami\u00e1n Depetris<br \/>\nEco, by Xacio Ba\u00f1o<br \/>\nEl cad\u00e1ver del tiempo, by Luis E. Par\u00e9s<br \/>\nLa mano que trina, by Mar\u00eda Ca\u00f1as<br \/>\nOjal\u00e1, by Antonio Ant\u00f3n<br \/>\nOjo Salvaje, by Paco Nicol\u00e1s<br \/>\nSin T\u00edtulo, by Julio Lama\u00f1a and Ricardo Perea<br \/>\nSol mihi Semper Lucet, by \u00c1lvaro Fern\u00e1ndez Pulpeiro<br \/>\nUr Artean, by Jes\u00fas Mar\u00eda Palacios and \u00cd\u00f1igo Jim\u00e9nez<br \/>\nVai chover, by Santiago D. Risco<br \/>\nVentanas, by Pilar Garc\u00eda Elegido<br \/>\nZeit\u00fcbergreifend (a trav\u00e9s del tiempo y del espacio), by Bego\u00f1a M. Santiago<\/p>\n<p><strong>Soria 2015 (November)<\/strong><br \/>\nUna ciudad sin sue\u00f1os, Alfonso Moral<br \/>\nGertrudis, Medardo Amor<\/p>\n<p><strong>Cortogenia 2015 (all year)<\/strong><br \/>\nAl pelae, Oscar de Juli\u00e1n<\/p>\n<p><strong>Cortogenia 2016 (all year)<\/strong><br \/>\nNo documentaries at the moment<\/p>\n<p><strong>Cortocircuito 2015 (October)<\/strong><br \/>\nSin dias ni Santa Maria, Helena Gir\u00f3n V\u00e1zquez, Samuel M. Delgado<br \/>\nOut, Joan Ant\u00fanez<\/p>\n<p><strong>DocumentaMadrid 2016 (May)<\/strong><br \/>\nMoradores<br \/>\nOjo salvaje<\/p>\n<p><strong>Alcine 2015 (November)<\/strong><br \/>\nEco, by Xacio Ba\u00f1o.<br \/>\nD\u00f4tenh by Jorge Cantos.<\/p>\n<p><strong>Festival de la PNR 2015 (October)<\/strong><br \/>\nAl pelae, \u00d3scar de Juli\u00e1n<br \/>\nLuis, Luis, Jose Carlos Casta\u00f1o<br \/>\nMaria Dominguez, la palabra libre, by Vicky Calavia<br \/>\nTres mujeres, Alexis Delgado -First Prize Best Short Film-<\/p>\n<p><strong>Huelva<\/strong> <strong>2015<\/strong><br \/>\nno Spanish documentary short films<\/p>\n<p><strong>Guadalajara (Fescigu) 2016 (October)<\/strong><br \/>\nGertrudis, Medardo Amor<br \/>\nLuchando por la digidad, Nacho Izquierdo<br \/>\n\u00cddolos de barro, Javier Perales<br \/>\nEl origen can\u00edbal del mundo, Miguel Romero<\/p>\n<p><strong>l&#8217;Alternativa 2015 (November)<\/strong><br \/>\nPedro M. 1981, by Andreas Fontana<br \/>\nEco, Xacio Ba\u00f1o<br \/>\nSin Dios ni Santa Maria, by Helena Gir\u00f3n and Samuel M. Delgado<\/p>\n<p><strong>Cortada 2015 (November)<\/strong><br \/>\nEl \u00faltimo abrazo -Best Documentary Award-<br \/>\nAithr\u00ed<br \/>\nAl Pelae<br \/>\nDiario \u00edntimo de una actriz<br \/>\nEl juego del escondite<br \/>\nEl orden can\u00edbal del mundo<br \/>\nGarbanzos con az\u00facar<br \/>\nGertrudis<br \/>\nJarramplas, la ira del pueblo<br \/>\nLas pelotaris<br \/>\nLo m\u00edo no es nada<br \/>\nLube, un sue\u00f1o sobre ruedas<br \/>\nLuis, Luis<br \/>\nNatalia<br \/>\nPatata tortilla<br \/>\nPu\u00f1o y metal<br \/>\nSer e voltar<br \/>\nSue\u00f1os de Kathmand\u00fa<br \/>\nThe Scale of an Obsession<br \/>\nTr\u00edo. Jane&#8217;s music of life<br \/>\nVentanas <\/p>\n<p><strong>Malaga 2016 (March)<\/strong><br \/>\n1982<br \/>\nCampanya<br \/>\nLa mano que trina<br \/>\nNada ni Nadie<br \/>\nPedro M, 1981<br \/>\n23 de Mayo<br \/>\nCabezas habladoras<br \/>\nFreedom To Kill The Other&#8217;s Children<br \/>\nPadres Hooligans<br \/>\nWith All Our Cameras<br \/>\nExtremos<br \/>\nJos\u00e9 Bezerra<br \/>\nLa carga<br \/>\nSubsolos<\/p>\n<p><strong>Gij\u00f3n 2015 (November)<\/strong><br \/>\nNo Spanish documentary short films<\/p>\n<p><strong>Huesca 2016 (June)<\/strong><br \/>\nOjal\u00e1, by Antonio Ant\u00f3n<br \/>\nAnatom\u00eda de la mirada<br \/>\nOjo salvaje, Paco Nicol\u00e1s<br \/>\nCabeza de Orqu\u00eddea, Violeta Blasco Ca\u00f1o, Ang\u00e9lica S\u00e1nchez Martinez, Germ\u00e1n Andr\u00e9s L\u00f3pez, Claudia Zegarra P. and Carlotta Napolitano<\/p>\n<p><strong>Lanzarote 2016 (April)<\/strong><br \/>\nPrimavera rosa en el Kremlin<br \/>\nGarbanzos con az\u00facar<\/p>\n<p><strong>Cinema Jove 2016 (June)<\/strong><br \/>\n23 de mayo, David Martin de los Santos<br \/>\nEusebio, el americano, Ruth Somalo<br \/>\nEco, by Xacio Ba\u00f1o<br \/>\nOjal\u00e1, by Antonio Ant\u00f3n<br \/>\nPedro M. 1981, by Andreas Fontana<br \/>\nWith all your cameras, by Miguel L\u00f3pez Beraza<\/p>\n<p><strong>Zinebi 2015 (2016)<\/strong><br \/>\nAnd if I told you it was you?, Jaime Refoyo<br \/>\nCampanya, Andr\u00e9s Alonso, Catarina Brites, Alejandro Cabrera, Lara Curto and Dami\u00e1n Depetris<br \/>\nDena ez dabil ondo, Ander Parody<br \/>\nDona i Cell<br \/>\nNicol\u00e1s Guti\u00e9rrez<br \/>\nEco, by Xacio Ba\u00f1o<br \/>\nLuz a la deriva, I\u00f1igo Salaberria<br \/>\nMarea Alta, Joaquin Ojeda<\/p>\n<p><strong>Festival de Cine de Elche 2016 (July)<\/strong><br \/>\nCabezas Habladoras, Juan Vicente C\u00f3rdoba -Award-<br \/>\nEl solista de la orquesta, Arantxa Echevarr\u00eda<br \/>\nPara Sonia, Sergio Mil\u00e1n<br \/>\nSoy pastor, by Borja Zausen<br \/>\nFregant el cel, by Tania Ribas, Ana Mar L\u00f3pez, Nus Fernando<br \/>\nMelchor y otros miles, by Day Garcia<br \/>\nViento de atunes, Alfonso O&#8217;Donnell<br \/>\nThe slow life: Ra\u00fal Mic\u00f3, by Carlos de las Heras<br \/>\nPadres Hooligans, by Alba Cid, Alba Gomez and Zara Zelich<br \/>\nEl baile de los infantes, by Jokin Pascual<br \/>\nEn clave de Ortifus, by Ricardo Maci\u00e1n<br \/>\nTambores de la convivencia, by Gotzon Ca\u00f1ada<br \/>\nUrbano: La historia de Jos\u00e9 Manuel P\u00e9rez Reyes, by El\u00edas P\u00e9rez<\/p>\n<p><strong>Almeria en corto 2015 (November)<\/strong><br \/>\nLuis, Luis, by Jos\u00e9 Carlos Casta\u00f1o Mu\u00f1o<\/p>\n<p><strong>Aguilar de Campoo 2015 (December)<\/strong><br \/>\nAl Pelae<\/p>\n<p><strong>Torrelavega 2016 (May)<\/strong><br \/>\n56 -Award-<br \/>\nEl submarine, Wenceslao Scyzoryk<br \/>\nEntre cocales<br \/>\nTestigos Petreos<br \/>\nEl baile de los infantes, J. Pascual &#038; J. Dampierre<br \/>\nEl mundo de Mao, by Pablo de la Chica<br \/>\nPrimavera rosa en el Kremlin, by Mario de la Torre<br \/>\nTestigos Petreos, by Jacobo Mu\u00f1oz<\/p>\n<p><strong>Miradas Doc 2015 (November)<\/strong><br \/>\nEl juego del escondite, David Mu\u00f1oz<br \/>\nHome, Alejandro Cabrera<\/p>\n<p><strong>Mecal 2016 (March)<\/strong><br \/>\nEl juego del escondite, by David Mu\u00f1oz<\/p>\n<p><strong>Octubre Corto 2015 (October)<\/strong><br \/>\nMama please forgive me, by Ibai Vigil-Escalera (Spain?)<br \/>\nSom Pastor Borja Zausen<\/p>\n<p><strong>Punto de Vista 2016 (February)<\/strong><br \/>\nIn 2016 there are no Spanish short films in the official section<\/p>\n<p><strong>Medina del Campo 2016 (March)<\/strong><br \/>\n23 de mayo -Award-<br \/>\nCabezas habladoras<br \/>\nVentanas<\/p>\n<p><strong>Semana del Cortometraje Comunidad de Madrid 2016 (April)<\/strong><br \/>\nEl mundo de Mao<br \/>\nPrimavera rosa en M\u00e9xico<br \/>\nCabezas habladoras<br \/>\n23 de mayo<\/p>\n<p><strong>Seminci<\/strong><br \/>\nNo Spanish documentary short films<\/p>\n<p style=\"text-align: justify;\">Up to this point the national festivals. It is important to observe how there are festivals on the list that <strong>have not selected any documentary short film<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><strong>Let us now look at some international festivals with the presence of Spanish documentary short films:<\/strong><\/p>\n<p><strong>Seattle International Film Festival 2016<br \/>\n<\/strong> 23 de mayo<\/p>\n<p><strong>Rotterdam 2016<br \/>\n<\/strong>Tout le monde aime le bord de la mer<strong><br \/>\n<\/strong>With all your cameras (informative)<\/p>\n<p><strong>IFDA 2015<\/strong><br \/>\nOjo Salvaje<\/p>\n<p><strong>Visions du R\u00e9el<\/strong><br \/>\nNotes from Sometime, Later, Maybe, by Roger G\u00f3mez, Dani Resines (competition)<br \/>\nMoradores, Alber Busquets (Premiers Pas)<br \/>\nTales of Rabassada, Ferr\u00e1n Romeu (Premiers Pas)<\/p>\n<p><strong>Big Sky International Film Festival<\/strong><br \/>\nPrimavera Rosa en el Kremlin<\/p>\n<p><strong>Ann Arbor, Vila do Conde<\/strong><br \/>\nSin Dios ni Santa Maria<\/p>\n<p>In total there are 147 national selections and 9 international selections, with 100 different short films that have been screened at these festivals.<\/p>\n<p>Let us apply the <strong>new regulations<\/strong> and see the result:<\/p>\n<p><strong>23 de mayo<\/strong>, 5 festivals (plus international and plus award)<br \/>\n<strong>Eco<\/strong>, 5<br \/>\n<strong>Al pelae<\/strong>, 4<br \/>\n<strong>El juego del escondite<\/strong>, 4<br \/>\n<strong>Cabezas habladoras<\/strong>, 4 (plus award)<br \/>\n<strong>Campanya<\/strong>, 3<br \/>\n<strong>Gertrudis<\/strong>, 3<br \/>\n<strong>Luis, Luis<\/strong>, 3<br \/>\n<strong>Ojal\u00e1<\/strong>, 3<br \/>\n<strong>Ojo salvaje,<\/strong> 3 (plus international)<br \/>\n<strong>Pedro M. 1981<\/strong>, 3<br \/>\n<strong>Sin Dios ni Santa Maria<\/strong>, 3 (plus international)<br \/>\n<strong>Ventanas<\/strong>, 3<br \/>\n<strong>56<\/strong> (award)<br \/>\n<strong>El \u00faltimo abrazo<\/strong> (award)<br \/>\n<strong>Tres mujeres<\/strong> (award)<br \/>\n<strong>With all your cameras<\/strong> (international)<br \/>\n<strong>Moradores<\/strong> (international)<br \/>\n<strong>Notes from Sometime, Later, Maybe<\/strong> (international)<br \/>\n<strong>Tales of Rabassada<\/strong> (international)<br \/>\n<strong>Tout le monde aime le bord de la mer<\/strong> (international)<br \/>\n<strong>Primavera Rosa en el Kremlin<\/strong> (international)<\/p>\n<p style=\"text-align: justify;\">In this list we have 22 short films. We can verify that the festival filter works, but perhaps too much\u2014no fewer than 67 short films have been left out.<\/p>\n<p style=\"text-align: justify;\">Let us now see <strong>which ones are left out due to dates, or not having the rating license<\/strong>. There are 13 short films:<\/p>\n<p style=\"text-align: justify;\"><strong>Eco<\/strong>, was at Locarno in 2015, would be submitted for the 2016 Goyas.<br \/>\n<strong>Al pelae<\/strong>, was submitted last year.<br \/>\n<strong>El juego del escondite<\/strong>, was at Berlin 2015, would be submitted in 2016.<br \/>\n<strong>Gertrudis<\/strong>, was submitted last year.<br \/>\n<strong>Luis, Luis<\/strong>, it appears not to have the rating license before the festivals<br \/>\n<strong>Ojal\u00e1<\/strong>, does not have the rating license before the festivals.<br \/>\n<strong>Ojo salvaje<\/strong>, does not have the rating license before the festivals.<br \/>\n<strong>Pedro M. 1981<\/strong>, is a short film from 2015, most likely it was submitted in 2016.<br \/>\n<strong>Ventanas<\/strong>, was nominated last year.<br \/>\n<strong>El \u00faltimo abrazo<\/strong>, was nominated last year<br \/>\n<strong>Tres mujeres<\/strong>, is a short film from 2014.<br \/>\n<strong>With all your cameras<\/strong>, does not have the rating license before the festivals.<br \/>\n<strong>Primavera Rosa en el Kremlin<\/strong>, was submitted last year.<\/p>\n<p style=\"text-align: justify;\">This leaves us with a preselection of <strong>only 10 short films<\/strong>, precisely the figure stipulated by the regulations that must form part of the <strong>short-list,<\/strong> and which should be chosen from among those registered by an internal commission of the Academy.<\/p>\n<p style=\"text-align: justify;\">But I have verified on the ICAA website that these short films are not yet rated:<\/p>\n<p><strong>Campanya<\/strong><br \/>\n<strong>Luis, Luis<\/strong><br \/>\n<strong>56<\/strong><br \/>\n<strong>Moradores<\/strong><br \/>\n<strong>Notes from Sometime, Later, Maybe<\/strong><br \/>\n<strong>Tales of Rabassada<\/strong><\/p>\n<p style=\"text-align: justify;\">and I have doubts about <strong>Tout le monde aime le bord de la mer,<\/strong> since it has a rating date of 2016<strong>,<\/strong> but Rotterdam takes place between January and February<strong>,<\/strong> it is very likely that it did not have the rating before the celebration of the festival.<\/p>\n<p>If the producers or directors of these short films read this post, I would like you to confirm whether you have been able to submit your short films for the Goyas.<\/p>\n<p style=\"text-align: justify;\">I am only certain that this year 3 short films can be submitted:<br \/>\n<strong>23 de mayo<\/strong><br \/>\n<strong>Cabezas habladoras<br \/>\nSin Dios ni Santa Maria<br \/>\n<\/strong><br \/>\nThe current situation of documentary short films is very complicated, since if the situation does not change, the registered short films would not even be enough for the 4 nominees. There is still the option that the short film awarded at <strong>Alcances<\/strong> is different from those already preselected and has the requested rating before the festival. <\/p>\n<p style=\"text-align: justify;\"><strong>I hope I have missed some international selection, or have made some error in the short films that are left out.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>I appreciate any comment on this post that helps refine this data, and especially from the directors and producers of the short films mentioned.<\/strong><\/p>\n<p style=\"text-align: justify;\">-Update 25\/07\/2016 &#8211; 16:00-<br \/>\nThanks to the comment from <strong>Alfonso D\u00edaz<\/strong> of LINE UP Shorts with the link to view the films rated at ICAA, I have been checking the rated short films and among them <strong>Sin Dios ni<\/strong> <strong>Santa Maria Maria<\/strong> is rated.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In recent weeks we have been analyzing the situation of Spanish short films with the new regulations of the Goya Awards. I have published posts on the new strategies to follow for fiction short films, and thanks to Carlota Coronado we have also analyzed animation short films in these two posts: Filter &#8230; <a title=\"Analysis of the Situation of Spanish Documentary Short Films for the 2017 Goya Awards\" class=\"read-more\" href=\"https:\/\/ismaelmartin.com\/en\/analysis-of-the-situation-of-spanish-documentary-short-films-for-the-2017-goya-awards\/\" aria-label=\"Read more about Analysis of the Situation of Spanish Documentary Short Films for the 2017 Goya Awards\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":11627,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[262],"tags":[300],"class_list":["post-11626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-goya-awards","tag-documentaries"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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