There are promotional materials that are essential for starting to promote a film, especially those related to the director: such as the photograph, a copy of the ID (or passport), the filmography, and the bio-filmography.
Sometimes it seems that not much importance is given to the bio-filmography, and it is confused with a résumé or the filmography itself. When we start preparing distribution materials, it’s one of those we have to review the most and explain to directors. Most want to say too much, but it’s usually not about the quantity, but how it’s written and being very specific.
You’ve probably thought a lot about writing your bio-filmography; it’s challenging to summarize years of work in a few lines. Here are some brief notes to help you draft it:
#1 Only the most important information
This is about creating a biographical summary of your career as a filmmaker, naming the most significant films in your filmography. If it’s your first film, make that clear; remember that there’s a festival circuit specialized in debut films.
#2 Connect the bio-filmography with your film
Even if you have a broad career as a director, it’s not necessary to list every short film (that’s what the filmography is for), commercials, or TV series you’ve directed. Highlight those that are most connected with your film. If it’s your debut, mention only the most awarded shorts; if you’re releasing a new documentary, talk about your previous work as a documentarian, etc.
#3 Keep it very brief
Each year I encounter very long texts. The problem is that festival forms have limited space, and if the text isn’t well adjusted, it gets cut off. I usually ask for a maximum of 500 characters. Although it may seem short, some festivals have even shorter limits; L’Alternativa in Barcelona had a limit of 300 characters in their online form this year.
#4 One text even if there are multiple directors
Many festivals don’t have forms or catalogs that allow more than one text (and photograph) per director. It’s much better to create a joint text (and a single photograph with all directors) to avoid issues and streamline the festival registration process.
#5 Don’t forget your personal brand
If your film is successful, the text of your bio-filmography will be published on many websites and festival catalogs. It is one of the most important elements for building your personal brand (again, along with the photograph). A well-crafted text aligned with your interests can help spark interest in your film and your work.
In short, don’t forget that it’s a good opportunity to talk about yourself, let people get to know you, and spark curiosity.